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・ Quarters 17 (Fort Monroe)
・ Quarters A, B, and C, Norfolk Naval Shipyard
・ Quarters A, Brooklyn Navy Yard
・ Quarters of Esch-sur-Alzette
・ Quarters of Luxembourg City
・ Quarters of nobility
・ Quarters of Paris
・ Quarters of Saint Lucia
・ Quarterstaff
・ Quarterstick Records
・ Quartet
・ Quartet (1948 film)
・ Quartet (1981 film)
・ Quartet (2012 film)
・ Quartet (Alison Brown album)
Quartet (Bill Frisell album)
・ Quartet (disambiguation)
・ Quartet (fiction)
・ Quartet (Harwood)
・ Quartet (Herbie Hancock album)
・ Quartet (McCoy Tyner album)
・ Quartet (Pat Metheny album)
・ Quartet (Santa Cruz) 1993
・ Quartet (sculpture)
・ Quartet (Tony Rice and Peter Rowan album)
・ Quartet (Ultravox album)
・ Quartet (video game)
・ Quartet de Barcelona
・ Quartet distance
・ Quartet for the End of Time (novel)


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Quartet (Bill Frisell album) : ウィキペディア英語版
Quartet (Bill Frisell album)

''Quartet'' is the eighth album by Bill Frisell to be released on the Elektra Nonesuch label. It was released in 1996 and features performances by Frisell, Ron Miles, Curtis Fowlkes and Eyvind Kang.〔(Nonesuch Records album info ) accessed 12 September 2008〕 Tracks 1, 5, 6, 7, 9, and 12 are from ''Tales From the Far Side'' (1994), an animated television special created by Gary Larson. Tracks 3 and 13 are from the Italian film ''La scuola'' (1995) directed by Daniele Luchetti. Tracks 4 and 10 were written for the Buster Keaton film ''Convict 13'' (1920).
==Reception==
The Allmusic review by Scott Yanow awarded the album 4 stars stating "This CD uses a rather unusual instrumentation, a quartet composed of Frisell, trumpeter Ron Miles, trombonist Curtis Fowlkes and Eyvind Kang, who doubles on violin and tuba. Ten of the 13 Frisell originals on the release were originally written for films (including one for Gary Larson, "Tales from the Far Side," and one for a Buster Keaton movie "Convict 13"), and the resulting music is tightly arranged yet spontaneous, episodic, and sometimes a bit nutty, but also strangely logical. Whether it be the old-timey theme to "Dead Ranch," the blues in "Convict 13," a few somber ballads, or hints at early Duke Ellington (particularly by Miles' wah-wah trumpet), this is a continually interesting, offbeat set."〔Yanow, S. (Allmusic Review ) accessed June 15, 2011〕

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